MIYAKE HANAYAMA (三宅花山)
1927
FEBRUARY
Nakamura Kichiemon I (中村吉右衛門) as
Takechi Mitsuhide (武智光秀)
Play: Toki-ha Ima Kikyô no Hataage
( 時今也桔梗旗揚)
Performance Place: Shinbashi Enbujô,Tokyo
Performance Date: 02/04/27
Print Date: 02/1927?
Medium: Lithograph
Personal Collection
Note: Kichiemon I also portrayed Mitsuhide in a
production of Toki-mo Kikyô Shusse no Ukejô
(時桔梗出世請状) at the Yokohama-za in September
1922. I cannot rule out the possibility that this print
reflects that performance.
Nakamura Kichiemon I as (中村吉右衛門) as
Kôchiyama Munetoshi (河内山宗俊)
Play: Kumo ni Magau Ueno no Hatsuhana
(天衣紛上野初花 ; 雲衣紛上野初花 )
Performance Place: Hongô-za, Tokyo
Performance Date: 04/02/27
Print Date: 04/1927?
Medium: Lithograph
Personal Collection
Note: Kichiemon I also portrayed Kôchiyama in a
production of Kôchiyama (河内山) at the Meiji-za in May
1923. I cannot rule out the possiblity that this print
reflects
that performance.
Nakamura Fukusuke V as (中村福助) as
Omitsu (おみつ; お光)
Play: Shinpan Utazaimon (新版歌祭文)
Performance Place: Hongô-za, Tokyo
Performance Date: 06/03/27
Print Date: 06/1927?
Personal Collection
Onoe Kikugorô VI (尾上菊五郎) as
Sakanaya Sôgorô (魚屋宗五郎)
Play: Sakanaya Sôgorô (魚屋宗五郎)
Performance Place: Shinbashi Enbujô, Tokyo
Performance Date: 10/1927
Print Date: 10/1927?
Medium: Lithograph
Personal Collection
Ichikawa Sadanji II (市川左団次; 市川左團次) as
Baba Sarurobê (馬塲三郎兵衛)
Play: Ôsakazuki Shusen no Tsuwamono (大杯觴酒戦強者)
Performance Place: Teikoku Gekijô, Tokyo
Performance Date: 10/01/27
Print Date: 10/1927?
Medium: Lithograph
Personal Collection
Note: Sadanji II also performed this role in Tokyo at the
Meiji-za in May 1922 and at the Asakusa Shochiku-za in
April 1926. I cannot rule out the possibility that this
print
reflects one of those performances.
Ichimura Uzaemon XV (市村羽左衛門) as Kanpei (勘平)
Play: Chûshingura (忠臣蔵)
Performance Place: Kabuki-za, Tokyo
Performance Date: 11/1927
Medium: Lithograph
Print Date: 11/1927?
Personal Collection
Note: Uzaemon XV also portrayed Kanpei in a
production of Kanadehon Chûshingura
(仮名手本忠臣蔵) a the Naka-za in Osaka in March
1924. I cannot rule out the possibility that this print
reflects that performance.