MUROMACHI GOSHO
(室町御所)

                 
Ichikawa Sumizô VI (市川寿美蔵; 市川壽美蔵) as Yoshiteru (義輝)
 
Ichikawa Sanshô V (市川三升; 市川三舛) as Iwatsuki Suisuke (岩槻主水助)
 
Ichikawa Sadanji II (市川左団次) as Ikeda Tango no Kami Masatake (池田丹後守将武)

Sawamura Sônosuke I (沢村宗之助; 澤村宗之助) as Tamon (多門)
 
 Plays: Muromachi Gosho (室町御所); Aki no Wakare (秋の別れ); Nani Ôshima Homare no
Tsuyoyumi (名大島功譽強弓); Honchô Nijûshikô  (本朝廿四孝)
Performance Place: Teikoku Gekijô, Tokyo
Performance Date:  12/01/22
Print Date: 12/1922?
Artist: Torii Kiyotada (鳥居清忠)
Medium: Woodblock printed ehon sujigaki cover
Image courtesy of the Tsubouchi Memorial Theatre Museum
 
Note: The cover also depicts Nakamura Jakuemon III (中村雀右衛門) as Yaegaki-hime (八重垣姫) and
Onoe Matsusuke IV (尾上松助) as Uesugi Kenshin (上杉謙信) in Honchô Nijûshikô  (本朝廿四孝); and 
Bandô Shûchô III (坂東秀調) as Sadarae (簓江), Ichikawa Chûsha VII (市川中車) as Chinzei Hachirô
Tametomo (鎮西八郎為朝), and  Kataoka Ichizô IV  (片岡市蔵) as Oni Yasha (鬼夜叉) in Nani Ôshima
Homare no Tsuyoyumi (名大島功譽強弓).
 
 
 

               
Ichikawa Sadanji II (市川左団次) as
Ikeda Tango (池田丹後)

Play: Muromachi Gosho  (室町御所)
Performance Place: ?
Performance Date: ?
Print Date: ?
Artist: Tanaka Shikô (田中紫光)
Medium: Lithograph?
Image courtesy of the Tsubouchi Memorial Theatre Museum

Note: During the time when Shikô is known to have been
actively designing prints, Sadanji II performed this role in
Tokyo at the Teikoku Geikijō in December 1922, at the
Asakusa Shôchiku- za in May 1924, and at the Meiji-za in
February 1929.  However, it is possible that this pint reflects a
regional performance.